Artist Terms

Version: 1.0
Effective Date: 25 August 2026

These Artist Terms (the “Terms”) are the agreement between Deuce Creative Limited (trading as Grofomo)(“we”, “us”, “our”, “Grofomo”) and the artist, act, band, DJ, or other performer that uses Grofomo in its own right (“you”, the “Artist”). They govern your use of the artist portal at artists.grofomo.com, the press kit and profile pages we host for you, the tracked links we give you, the promotional assets we make available to you, and every other feature we make available to you as an artist (together, the “Services”).

In one paragraph. You own your profile and everything you add to it. Organisers who book you can use it to promote your show. When they pay you through Grofomo we pass the money on and handle the paperwork, and what you are paid is between you and them. Your data is yours to control, and these Terms say how.

1. About this agreement

1.1 Who we are. Deuce Creative Limited is a company registered in England and Wales, company number 07991249, with its registered office at Unit 8 Great Bramshot Farm Barns, Bramshot Lane, Fleet, Hampshire, GU51 2SF, United Kingdom. Our VAT number is GB935707211. We trade as Grofomo.

1.2 What these Terms cover, and what they do not. These Terms govern the relationship between you and us as an artist. Organisations that run events on Grofomo are governed by our Organiser Terms, which describe what an organiser may and may not do with your material. Attendees and ticket buyers are governed by our Terms of Service. Personal data is governed by our Privacy Policy, which prevails over these Terms on any question about personal data.

1.3 Who “you” means. These Terms are made with the act itself: the artist, band, DJ, or other performer whose profile it is. They also bind everyone you give access to that profile, including your managers, agents, and agency staff. Where an agency looks after several acts, each act is a separate agreement on these Terms. Where an act is more than one person, each of you is bound by these Terms and any one of you accepting them binds the act.

1.4 If you are an individual. These Terms are written for people and businesses offering performances in the course of a trade or profession. If you are acting wholly outside a trade, business, craft, or profession, you are a consumer, and nothing in these Terms removes or reduces the rights the law gives you as one. Where a term in these Terms conflicts with a right you have as a consumer, that right prevails and the rest of these Terms continue to apply.

1.5 Accepting these Terms. An owner or a manager of the act accepts these Terms on behalf of the act, and that acceptance binds the act and everyone with access to its profile. We record which version was accepted, by whom, and when. Where we present a new version in the Services, an owner or a manager accepting it binds the act in the same way.

1.6 What it costs. The Services are provided to you free of charge. We may introduce paid features in future. If we do, we will tell you before they apply to you, and we will never start charging you for something you already have without your agreement.

2. Your profile and your team

2.1 One login, one or many acts. You sign in as a person. A person can have access to more than one act, and an act can have more than one person with access to it. Everything in these Terms that is about the act applies to each act separately.

2.2 Roles. Access to an act is by role. An owner can do everything, including setting up the payout account, entering a VAT number, accepting fee offers, requesting deposits, and deleting the profile. A manager can manage the profile and its content, and can accept these Terms on behalf of the act. An agent can edit the profile and its content. A viewer can see it. We may add or change roles as the Services develop.

2.3 Who has access.Access to an act is granted in the ways §3 describes, and we can add, change, or remove it on the request of an owner. You are responsible for everyone who has access to your act and for what they do with it. Keep your sign-in details to yourself, tell us promptly if you think someone has access who should not, and ask us to remove access when it should end.

2.4 Authority to act. If you manage, represent, or act as an agency for an act, you confirm that you are authorised to do so and to accept these Terms, set up payments, and make decisions on behalf of that act. We are entitled to rely on that, and we do not check it.

2.5 Keep your details accurate. Keep your profile, your contact details, and your payment details accurate and up to date. Some fields are published where you complete them: a legal or real name you enter is shown alongside your performing name on the pages and in the app feeds where your profile appears. Leave a field blank if you do not want it published.

3. Claiming a profile

3.1 A profile may already exist. Your profile may already be on Grofomo before you get there. It may have been compiled from public sources, or created by an organiser who booked you. Section 11 of our Privacy Policy explains where that information comes from and what you can ask us to do about it, including asking us to remove the listing.

3.2 How you claim one. You can claim a profile by accepting an invitation from an organiser, from an event page you appear on, or by finding the profile in the Services and asking us for it. Some of those routes give you the profile immediately; others are reviewed by us first.

3.3 We decide claims. We may ask for evidence that you are who you say you are, including confirming an email address at a domain associated with the act. Whether to grant, refuse, or reverse a claim is our decision, and we make it in our reasonable discretion on the information we have. We do not promise a decision within any particular time, and we do not operate a formal appeal.

3.4 Your promises when you claim. When you claim a profile you confirm that you are the act, a member of it, or someone it has authorised to act for it, and that the information you give us in support is true.

3.5 Disputes. Someone else may dispute a claim, and you may dispute theirs. A dispute is made with an explanation and any supporting information, and we review it. Where we decide a dispute in favour of the other side, control of the profile transfers to them and we tell the previous owner. The content and edits on the profile stay with the profile.

3.6 Reversing a claim. Where a profile was claimed by misrepresentation, or where we are required to, we may reverse the claim and return the profile to an unclaimed state. Claiming a profile that is not yours, or holding yourself out as an act you are not authorised to represent, is a serious breach of these Terms and we may end this agreement for it.

4. Your content and the licence you give us

4.1 What is yours.Your biography, photographs, videos, documents, links, technical and hospitality riders, artwork, logos, performing name, and everything else you upload or create in the Services are yours (“Artist Content”). You keep every right you have in it. Nothing in these Terms transfers ownership of it to us or to anyone else.

4.2 The licence you give us. You grant us a worldwide, non-exclusive, royalty-free licence, sublicensable to organisers as §4.3 describes, to host, store, reproduce, adapt for format and size, crop, composite into artwork and video we generate for an event, display, transmit, distribute, and make available Artist Content in and through the Services. The licence exists so that we can run the Services and so that the people you want to reach can see your material. We do not need it for anything else and we do not use it for anything else.

4.3 What organisers may do with it. An organiser that has booked you, or that has added you to an event lineup, may use Artist Content to promote the event you are performing at. That includes showing it on the event website, storefront, ticket pages, and app listings for that event, including it in lineup artwork, posters, and video we render for that event, and publishing it in posts made through the Services to that organiser own social media accounts. It does not extend to any other use, or to any other event, without your permission.

4.4 The public surfaces you switch on.Where you turn on a public surface, the licence covers publishing Artist Content there: your public profile page, your press kit and any press kit links you share, and your tracked links. Those switches are described in §5.

4.5 Our own promotion. We may name you and use your public profile image and biography in our own promotion of Grofomo and of the events on the platform. Tell us if you would rather we did not, and we will stop.

4.6 How long the licence lasts. The licence lasts for as long as the content is in the Services. Removing content stops us and organisers making new use of it, but it does not undo use already made: copies already published by an organiser, posts already made to a social account, artwork and video already rendered and distributed, caches, and backups are not affected by removal.

4.7 Files you upload are hosted at public addresses. The files you upload to the Services are stored so that they can be displayed on public pages, which means each one has an address that will work for anyone who has it, whether or not the page it sits on is switched on. Removing an item from your profile removes it from the Services, and we may not delete the underlying file. Do not upload anything you would not be willing to have publicly accessible.

4.8 Your promises about content.You confirm that: you own Artist Content or have the rights and permissions you need to grant the licence in §4.2, including from photographers, designers, other members of the act, labels, and rights holders; riders and other documents you upload are yours to share; Artist Content is lawful, accurate, and not misleading, and does not infringe anyone’s rights or defame anyone; and where it contains personal information about someone else, you have their permission to give it to us.

4.9 The short introduction we generate. We may generate a short introduction for your profile from the biography you have written, so that your profile reads well in places where there is only room for a line or two. It is derived from your own words. You can edit it, replace it, or remove it at any time, and you should read it before relying on it. We claim no rights in it, and you are responsible for the accuracy of what your profile says.

4.10 Entries compiled from public sources.Where part of your catalogue entry was compiled from public sources rather than supplied by you, it is not Artist Content and the licence in §4.2 does not apply to it. You can correct it or ask us to remove the listing, as section 11 of the Privacy Policy describes.

4.11 Removal. We may remove or hide content that we reasonably believe breaches these Terms, the law, or the rights of a third party, or that a platform we distribute it to requires us to remove. We will tell you where practicable.

4.12 Our property. The Services, our software, our brand, and the data we compile about the platform as a whole are ours. You may use the Grofomo name and logo only in the forms we provide.

5. Who can see your profile

5.1 The controls you have. You control whether your public profile page is on, whether your press kit is on, who you send press kit links to and whether those links carry a password, whether a link you have already sent still works, and which items of media are approved for use. Those controls are in the Services and you can change them at any time. Turning a control off stops further display; it cannot recall what has already been seen, downloaded, or published.

5.2 Organisers on the platform. Organisers using Grofomo can see your professional profile so that they can book you, including the booking and press contact details and the fee guidance you have entered. Leave a field blank if you do not want organisers to see it.

5.3 The organiser’s own record of you.An organiser that books you keeps its own record of you in its own account: its copy of your listing for its event, its notes, and its booking and contact history. That record is the responsibility of that organiser, and §12 explains our role in it. Deleting your profile does not delete their record.

5.4 Your sales record. We keep a record of the tickets sold through the tracked links we give you, event by event, and it is yours to see in full in the Services. Two separate switches control whether anyone else sees it, and both are off unless you turn them on: one shows lifetime totals on your press kit and your public profile page, and the other shows them to organisers browsing for artists to book. What those audiences see is totals, being the number of tickets and the number of events, and on your press kit the total value of those sales. Neither audience sees a figure for any individual event or organiser. Those totals are built from sales at the events of the organisers who booked you, so turning a switch on is your decision to show them. Figures are adjusted for refunds on the same basis as commission, so they can move after an event.

6. Photographs an organiser sends you

6.1 Nothing changes until you accept. An organiser may send you a photograph it wants to use for you, for example a press shot it has commissioned. Where you have claimed your profile, it is offered to you and nothing on your profile changes unless you accept it.

6.2 What you can do with an offer. You can decline it, add it to your press kit, use it as your profile photograph, or do both. You can accept it for that event only, in which case your previous profile photograph returns afterwards, or keep it. Changing your profile photograph yourself at any point overrides either choice.

6.3 Unclaimed profiles.Where a profile has not been claimed, an image the organiser has supplied is the organiser’s own material and it applies to that organiser’s listing of you. Claiming the profile puts you in control of what your profile shows.

7. Getting paid: your payout account

7.1 Your payout account is with Stripe. Money we route to you is paid through a Stripe Express account in your name. Setting it up means entering into the Stripe Connected Account Agreement with Stripe directly, and your relationship with Stripe is governed by that agreement, not by these Terms. Stripe carries out the identity and bank checks the law requires and holds those details. We do not collect or hold your identity documents or your bank details.

7.2 Where it works. Payout accounts are currently available for United Kingdom bank accounts and pay out in pounds sterling. We will say so in the Services if that changes.

7.3 Who sets it up. An owner of the act sets up the payout account and enters any VAT number. Only an owner can do it.

7.4 Money waiting on an account.Money we hold for you cannot move until your payout account is set up and able to receive it. It does not expire while you complete that, and we do not charge you for holding it. It does not survive the deletion of your profile: see §15.3.

7.5 What we take. We currently deduct nothing from money paid to you through the Services. If that changes we will tell you before it applies to you.

7.6 Money paid in error. Where we pay you an amount in error, an amount that was never due, or an amount obtained in breach of these Terms, we may recover it, including by setting it off against later amounts we would otherwise pay you. We will tell you why.

8. Ticket sales commission

8.1 What it is. An organiser may offer you commission on tickets sold through the tracked links we give you for its event. Whether to offer commission at all, and at what rate, is the decision of that organiser alone, and it can be set or changed until the commission is settled. We do not set it, negotiate it, or require it.

8.2 How sales are attributed. We attribute a sale to your link using our own attribution rules, which look at the most recent relevant visit within a limited window and which we may change as the Services develop. Attribution depends on how buyers behave and on their devices and browsers, so we cannot guarantee that every sale you influence is attributed to you, and the figures we show are our record of what our rules attributed.

8.3 What it is calculated on. Commission accrues on the ticket price, after refunds, and does not include the booking fee the buyer pays us. Refunds before settlement reduce the amount, so the figure you see before settlement is an accrual and not a final figure.

8.4 When it is paid. Commission is confirmed and released after a settlement window following the event, and is paid to your payout account. An organiser may release it sooner. Where an event is cancelled, no commission is paid on it.

8.5 Who owes it.Commission is payable by the organiser out of its ticket proceeds. We administer the payment on the organiser’s behalf and nothing more. We are not the payer, we do not guarantee payment, and we are not liable to you where an organiser has no proceeds from which it can be paid.

8.6 Tax on it.Commission amounts are inclusive of any VAT you must account for. §10 applies to it.

8.7 What you see. You see totals and counts for your own links. You do not see the identity, contact details, or any other personal information of the people who bought tickets, and we do not provide it.

8.8 Your sales record.Sales through your tracked links count towards the sales record described in §5.4 whether or not the event pays you commission.

8.9 No manipulation. You must not manipulate attribution, including by buying tickets through your own link to earn commission on them, by paying for or incentivising clicks, or by placing your link where it captures sales you did not influence. We may withhold or reverse commission we reasonably believe was earned that way.

9. Fee offers and complimentary tickets

9.1 What an organiser can offer. An organiser may offer you a performance fee, an allocation of complimentary tickets, or a choice between them. You accept one of the options, or decline. Where the offer allows it, you can change your choice until a complimentary ticket has been redeemed or the fee has been paid.

9.2 Invoicing on your behalf. Accepting a fee to be paid through Grofomo authorises us to prepare, issue, and send an invoice for that fee to the organiser in your name and on your behalf, using the details you have given us, and to re-issue, correct, or cancel it where that is needed. You authorise us to do that for as long as this agreement continues, and you may withdraw that authority for future offers by telling us, in which case you can no longer accept fees to be paid through Grofomo. You remain responsible for the accuracy of the details we use and for your own tax records.

9.3 Fees are agreed net. A fee you are offered is the amount before VAT. Where you have given us a VAT number, VAT at the applicable rate is added on top of it, shown on the invoice with your VAT number, and paid to you with the fee, and you account for it. Where you have not given us a VAT number, no VAT is added.

9.4 When it is paid. Payment is due by the date shown on the offer, and is paid to your payout account. Your payout account must be set up before you can accept a fee to be paid through Grofomo.

9.5 Schedules and deposits. An offer may be payable in stages. Where the Services support it, you can ask for a deposit ahead of the event. Only an owner can request one, and whether to agree it is for the organiser.

9.6 Invoices you raise yourself. Where a stage of a fee is to be invoiced by you or your agent outside Grofomo, that invoice is yours. We do not raise it, we add no VAT to it, we deduct nothing from it, and we are not involved in its payment.

9.7 The booking itself is between you and the organiser. What you are engaged to do, when, for how long, on what terms, what happens if either of you cancels or does not appear, and what a rider commits either of you to, are all between you and the organiser. We are not a party to your booking, we do not arrange or negotiate it, and we are not liable to you for an organiser failure to pay, to perform, or to hold the event.

9.8 If the event is cancelled.Where an event is cancelled before a fee has been paid, an offer that has not been accepted lapses, and we may cancel an invoice we raised on your behalf that has not been paid. Whether anything is owed to you despite the cancellation is a matter between you and the organiser under §9.7.

9.9 Complimentary tickets. An allocation of complimentary tickets is held for you and redeemed one at a time to guests you name. They are issued by the organiser, on the terms of that event and of our Terms of Service, and they are not to be sold or exchanged for value. Any part of an allocation you have not redeemed by the deadline shown, or by the time the event ends, or if the event is cancelled, returns to the organiser.

9.10 Naming a guest. When you give us the name and details of a guest, you confirm that you have their permission to do so and that they know the organiser and we will hold those details in order to admit them.

10. Taxes and your status

10.1 Money we route to you is your income. Fees, commission, and anything else paid to you through the Services are your income. You are responsible for declaring it and for any income tax, National Insurance, VAT, or other tax due on it. We do not withhold or account for tax on your behalf, and nothing we show you in the Services is tax advice.

10.2 Your VAT position. You tell us in the Services whether you are VAT registered and, where you are, your VAT number. We show that number on invoices we raise on your behalf exactly as you entered it. You confirm that it is correct and that you will keep it up to date and tell us if you deregister, because organisers and their accountants rely on it.

10.3 Our own charges. Where we charge for anything, that charge is our supply and we account for VAT on it.

10.4 We are not your employer.Nothing in these Terms makes you our employee, worker, partner, or agent, and nothing in them makes you the employee, worker, or partner of an organiser that books you. You decide how and when you work, you are engaged by the organiser under §9.7, and your status with that organiser is a matter between you and them.

11. Guest lists and promotional assets

11.1 Guest lists.Where an organiser gives you an allowance, you can name guests up to it. Anything beyond it is a request to the organiser and is theirs to grant or refuse. §9.10 applies to the details you give us.

11.2 Promotional assets. An organiser may make artwork, video, and other promotional material available to you for an event. You may use it to promote that event. You must not alter it in a way that misleads, use it for another event, or use it after the event other than as a record of it. The material stays the property of whoever owns it.

12. Your data and the data you see

12.1 Our Privacy Policy governs personal data. How we handle personal data, the lawful bases we rely on, how long we keep it, and the rights you have are all in the Privacy Policy.

12.2 Where we are the controller.We are the controller for your account, your profile, your catalogue entry, and your use of the Services, including entries compiled from public sources under §4.10.

12.3 Where an organiser is the controller. Each organiser is the controller of its own records about you: its copy of your listing, its notes, its booking and contact history, and anything you send it. We process those records for that organiser under our Data Processing Addendumwith it. Requests about that organiser’s records are for that organiser, and we will point you to them.

12.4 Other people whose details you see or enter.Where the Services show you someone else’s details, such as a person who has requested your press kit, or where you enter someone else’s details, such as a guest or the recipient of a press kit link, you may use them only for that purpose. Do not add them to a marketing list, pass them on, or keep them for anything else.

12.5 Riders and hospitality notes. Rider and hospitality fields are free text, and what you put in them may include health, dietary, access, or other sensitive information about you or about members of your act. Include only what the organiser needs in order to look after you, and remember that the organiser and its team will be able to read it.

12.6 Messages from us. We send you service messages about your account, your bookings, and your payments, and you cannot switch those off while you have an account. We also send optional reminders and updates, and you can stop those at any time from the link in the message or in the Services.

12.7 Organisers contacting you. Organisers can contact you through the Services only where you have switched that on. You can switch it off again at any time.

13. Aggregated insights

(a) We may use data generated through your use of the Services to produce aggregated and de-identified statistics and insights, in order to run and improve the Services and to provide guidance features within them.

(b)Those outputs will not identify you, and will not contain any figure or other information attributable to you or to your act. Nothing in this clause allows us to publish your sales record: what any audience sees of that is governed by the switches in §5.4 and by nothing else.

(c) Where personal data is involved in producing an insight, it is anonymised first and the output is not personal data. Nothing in this clause permits us to process personal data otherwise than in accordance with the Privacy Policy.

(d) We will not sell or license these outputs as a standalone data product, and will not provide them to anyone other than users of the Services as part of the Services. This restriction binds any successor or acquirer of our business.

14. Acceptable use

14.1 Be accurate. What you publish through the Services about yourself, your history, and your performances must be accurate and not misleading.

14.2 You will not:

14.3 What we may do.Where we reasonably believe you have breached §14, we may remove content, switch off a feature, suspend access, or end this agreement under §15.4. We will tell you why where it is practicable and lawful to do so.

15. Ending this agreement and deleting your profile

15.1 You can stop at any time. You can stop using the Services whenever you like. You can also delete the profile of the act entirely, which an owner does in the Services by confirming the name of the act.

15.2 What deleting the profile does.Deleting the profile removes the act from the Services along with its media, links, and the access everyone had to it. It does not remove the record an organiser keeps of you in its own account, so you may still appear on the lineups, event pages, and event listings of events you were billed on. It does not undo use already made of your content under §4.6, and it does not delete the underlying files described in §4.7.

15.3 Settle up first. Deleting the profile removes the payout account link with it, so money that has accrued to you but has not yet been paid can no longer be paid once it is gone. Make sure everything owed to you has been released and paid before you delete a profile.

15.4 When we can suspend or end it. We may suspend your access or end this agreement where you are in material breach of these Terms, where a profile was obtained or held by misrepresentation, where we reasonably suspect fraud, or where we are required to by law. Where the breach can be put right we will normally ask you to put it right first.

15.5 Money at the end. Ending this agreement does not cancel money already accrued to you, and we will pay it in the ordinary way. We may withhold payment of an amount that we reasonably believe was obtained by fraud or in breach of these Terms, for as long as it takes us to look into it, and we will tell you that we are doing so.

15.6 What survives.§4.6, §4.12, §10, §13, §16, §17, §20, and §21 survive the end of this agreement, along with any obligation either of us has already incurred.

16. Warranties, disclaimers, and liability

16.1 Mutual promises. Each of us confirms that it has the authority to enter into this agreement and that doing so does not breach any other agreement it has.

16.2 Our warranty, and its limits.We will provide the Services with reasonable skill and care. Otherwise the Services are provided “as is” and “as available”, and to the extent the law allows we exclude every other warranty, condition, and term, whether express or implied. We do not promise that any organiser will book you, offer you commission, or pay you, and we are not responsible for third-party services you connect, including your Stripe account.

16.3 What we are not liable for. To the extent the law allows, neither of us is liable to the other for any indirect or consequential loss, or for loss of profit, revenue, business, opportunity, goodwill, or data, however arising.

16.4 Cap.To the extent the law allows, and because the Services are provided to you free of charge, our total liability to you arising out of or in connection with this agreement, however arising, will not exceed the greater of (a) the amounts you have paid us in the 12 months before the event giving rise to the claim, and (b) one hundred pounds sterling (£100).

16.5 What is not limited.Nothing in this agreement excludes or limits liability for death or personal injury caused by negligence, for fraud or fraudulent misrepresentation, or for anything that cannot be excluded or limited by law. Nothing in §16.3 or §16.4 limits our obligation to pay over money we hold on its way to you. Nothing in this agreement removes or reduces any right you have as a consumer.

17. Indemnity

You will indemnify us, and our officers, employees, and agents, against every claim, loss, liability, cost, and expense, including reasonable legal fees, arising out of or relating to: (a) Artist Content, including a claim that it infringes the rights of someone else; (b) a claim or dispute you make about a profile, including one made without authority; (c) the details you give us about your guests and the people you send press kit links to; (d) tax on money we route to you, and the accuracy of a VAT number you give us; (e) your engagement with an organiser under §9.7; or (f) any other breach of these Terms or of the law by you or by anyone you have given access to your act. We will tell you promptly about a claim and give you reasonable assistance, and you will not settle a claim in our name without our agreement. This §17 does not apply where you are a consumer within §1.4.

18. Changes to these Terms

We may update these Terms from time to time. The version and effective date at the top of this page identify the current text. Material changes will be announced at least 14 days before they take effect, by email to the owners and managers of the act and in the Services. Where we present a new version for acceptance in the Services, an owner or a manager accepting it binds the act. Your continued use of the Services after the effective date of a revision constitutes acceptance of it. Changes do not alter the terms that applied to a fee or a commission that had already been agreed. If you do not agree to a change, stop using the Services and tell us, and §15 applies.

19. Assignment and successors

We may assign or novate this agreement, in whole or in part, to a successor or acquirer of our business, and we will tell you when we do. The restriction in §13(d) binds that successor or acquirer expressly. You may not assign this agreement. Who controls an act changes through the claim and dispute process in §3, or by asking us, and not by assigning this agreement; the act remains the party to it either way.

20. General

20.1 Entire agreement. These Terms and any written agreement signed by both of us are the entire agreement between us about your use of the Services as an artist, and supersede any earlier agreement or understanding on the same subject. Where you also use Grofomo as an attendee, the Terms of Service govern that use. Neither of us relies on any statement not set out in them, though nothing limits liability for fraud.

20.2 Precedence. On any question about personal data, the Privacy Policy prevails over these Terms. On any question about what an organiser may do, these Terms and the Organiser Terms are intended to say the same thing, and where they do not, these Terms govern our relationship with you.

20.3 Severance and waiver. If any provision is found unenforceable, the rest remains in force. A failure to enforce a right is not a waiver of it.

20.4 Notices.We give notice to you by email to the owners and managers of the act, or in the Services. You give notice to us at the address in §22.

20.5 Relationship.We are independent contractors. §9.2 is an authority to invoice on your behalf and nothing more, and nothing in this agreement creates a partnership, joint venture, agency beyond §9.2, or employment relationship.

20.6 Events outside our control. Neither of us is liable for a delay or failure caused by something outside its reasonable control, other than an obligation to pay money.

20.7 Third parties.No one other than you and us, and our permitted successors and assigns, has any right to enforce this agreement, except that an organiser may rely on the permission you give in §4.3 for as long as it is entitled to it.

21. Governing law

This agreement and any dispute arising out of or relating to it or the Services are governed by the laws of England and Wales. The courts of England and Wales have exclusive jurisdiction over any such dispute. If you are a consumer, this does not deprive you of the protection of the mandatory laws of the country where you live, or of the right to bring proceedings there.

22. Contact

Deuce Creative Limited, a company registered in England and Wales, company number 07991249. VAT number GB935707211.

Unit 8 Great Bramshot Farm Barns
Bramshot Lane
Fleet
Hampshire
GU51 2SF
United Kingdom

Questions about these Terms, and notices under them: privacy@grofomo.com

By accepting these Terms in the Services, or by continuing to use the Services after they are presented to you, you confirm that you have read these Artist Terms and that you are the artist, or that you are authorised to accept them on behalf of the act.